Monday, April 25, 2011

THE RUNNING MAN (BY) STEPHEN KING

Published 1982, 336 pages
Characters: B
Writing: B-
Plot: B+
Pacing: B+
Poignancy: B

It's not terribly important that I decided to pick up the Running Man because I read countless discussions online pointing out its similarity to the currently-popular Hunger Games trilogy, which I read in March. But out of the dozens of novels Stephen King has written — which I will probably never entirely catch up on — that's why I decided to pick up this one just now.

Though nearly three decades separate the publication of the novels, the similarities are pretty glaring. The Hunger Games is an almost perfect synthesis of The Running Man and Battle Royale. Stephen King's 1982 novel is only set in 2025, and as with the best, most convincing near-future sci-fi, not much is all the different — everything is just a bit shittier. The people tune in to a series of increasingly dangerous reality-TV show contests for amusement, run by a sinister government entertainment Network. A man named Richards, desperate for money to save his diseased young daughter, enters into the most dangerous and popular reality program in the country: The Running Man. It's pretty much what it sounds like, a nationwide manhunt which nearly everyone watches, and in which anyone can participate. If Richards manages to survive for 30 days, he's set for life, rich beyond meaning. In the history of the game, no one has ever survived more than 8 days.

So you have the evil corrupt government, the death-game, the reality-TV angle being used to control and manipulate the masses. The main reason I bring up these comparisons is because The Hunger Games utilized that reality-TV angle so poorly, when it was clearly a goldmine idea with a lot of potential. It was never clear who watched or who cared or what significance any of it might have in the world at large. King clears that problem here, making it all feel tangible and believable, with plenty of first-hand demonstration on what effect this reality-TV population control has, and why people in a society like ours might even buy into it. He does this while breezing through the action of the novel, too, integrating exposition with pacing and plot development. It's impressive, and only the beginning of the novel suffers for it, with the first few beats of the story seeming a little rushed and jarring.

The world is convincing, and the story is tight. There's really not much beyond that — like The Hunger Games, this is a lean book and a fast read. (I read nearly the entire thing on a four hour bus ride back to Lebanon.) It's appropriately gritty and uncompromising, and Richards makes for a sympathetic, jaded, smug, noir-ish narrator. I should note that The Running Man was written under King's long-defunct Richard Bachman pen-name, and thus there are some interesting and fitting stylistic differences from King's usual stuff. The prose is much leaner and harder, less folksy and rambling than typical. Richard the character fits Richard the pen-name, and everything fits this grim but sardonic world.

One last thing: that Arnold Schwarzenegger film of the same name is, in fact, based off of this book. I have never seen it. I doubt it's very similar but I'm curious to check it out. King doesn't pull any punches with the ending, and without changing that part around significantly, this is one story I can guarantee that Hollywood will never be tempted to remake.

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